<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:media="http://search.yahoo.com/mrss/"
	
	>

<channel>
	<title>Eric Capper</title>
	<link>https://ericcapper.com</link>
	<description>Eric Capper</description>
	<pubDate>Sun, 31 Aug 2025 01:06:32 +0000</pubDate>
	<generator>https://ericcapper.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage</title>
				
		<link>https://ericcapper.com/Homepage</link>

		<pubDate>Sun, 24 Jan 2021 20:57:28 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/Homepage</guid>

		<description>
	</description>
		
	</item>
		
		
	<item>
		<title>SIGNAL ARCHITECTURE</title>
				
		<link>https://ericcapper.com/SIGNAL-ARCHITECTURE</link>

		<pubDate>Sun, 31 Aug 2025 01:06:32 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/SIGNAL-ARCHITECTURE</guid>

		<description>
	Signal Architecture

Roman Susan Gallery
1224 W Loyola Ave, Chicago ILJuly 22, 2025 - July 27, 2025

We rely upon an immaterial and ever-present architecture of signal traffic beyond our senses. Communication networks, power infrastructures, surveillance grids, data centers - all linked through a shared energetic substrate of 60 Hz. 

Signal Architecture reveals hidden electromagnetic and seismic languages in the built environment.

Low-frequency (ELF/VLF) electromagnetic (EM) waves—particularly those generated by nearby urban infrastructure, like grid-powered devices, converters, and CTA trains—are the raw material of this installation, drawn closer by a copper wire loop antenna. 

This EM signal will act as the carrier, and will be modulated in real-time by architectural vibration taken by a geophonic microphone on the station’s structure.

Signal Architecture produces a living sonic field transforming container into transceiver.


This installation will be most active as trains at the nearby station come and go.https://romansusan.org/Signal-Architecture
	e_cap · Signal Architecture_EM &#38;amp; Seismic line recording_7.25.25





	
&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/56b5410d33c78f4d39c9ce72b87aed5babaa52028850f096ded7a2548cd22f70/PXL_20250724_025854206.jpg" data-mid="237647462" border="0"  src="https://freight.cargo.site/w/1000/i/56b5410d33c78f4d39c9ce72b87aed5babaa52028850f096ded7a2548cd22f70/PXL_20250724_025854206.jpg" /&#62;

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/cdf24d6b0781b380cd1f3b9cd2e5135be8e99389b7fe55c52dace1cce54a6f8b/PXL_20250724_025614333.jpg" data-mid="237647463" border="0"  src="https://freight.cargo.site/w/1000/i/cdf24d6b0781b380cd1f3b9cd2e5135be8e99389b7fe55c52dace1cce54a6f8b/PXL_20250724_025614333.jpg" /&#62;
&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/eba45394213f6153a31be0b401ec12add3c6c50cb0f5362f238909a0eab77498/SIgnal-Architecture_concept.png" data-mid="237647460" border="0"  src="https://freight.cargo.site/w/1000/i/eba45394213f6153a31be0b401ec12add3c6c50cb0f5362f238909a0eab77498/SIgnal-Architecture_concept.png" /&#62;&#60;img width="1536" height="1024" width_o="1536" height_o="1024" data-src="https://freight.cargo.site/t/original/i/27c15fce4fade99acfa8e3a98aecf69098a5e35054a31d1ddeeaa241ddf5b23f/Signal-Architecture_Eric-Capper.png" data-mid="237647459" border="0"  src="https://freight.cargo.site/w/1000/i/27c15fce4fade99acfa8e3a98aecf69098a5e35054a31d1ddeeaa241ddf5b23f/Signal-Architecture_Eric-Capper.png" /&#62;&#60;img width="1062" height="668" width_o="1062" height_o="668" data-src="https://freight.cargo.site/t/original/i/f873f7ed486d26f8f5a9fac774a9f8e7a56a798ef77bc8b048af3b0f5ebcdaf5/Screenshot-2025-09-09-150005.png" data-mid="237998612" border="0"  src="https://freight.cargo.site/w/1000/i/f873f7ed486d26f8f5a9fac774a9f8e7a56a798ef77bc8b048af3b0f5ebcdaf5/Screenshot-2025-09-09-150005.png" /&#62;&#60;img width="1202" height="831" width_o="1202" height_o="831" data-src="https://freight.cargo.site/t/original/i/40b251c185b56f3a766fe6e289cdea34f32396174c3457f588fd6a36f7df1f86/Screenshot-2025-09-09-151353.png" data-mid="237998613" border="0"  src="https://freight.cargo.site/w/1000/i/40b251c185b56f3a766fe6e289cdea34f32396174c3457f588fd6a36f7df1f86/Screenshot-2025-09-09-151353.png" /&#62;

</description>
		
	</item>
		
		
	<item>
		<title>Live @ Roman Susan Gallery for MEMBRANE VARIATIONS</title>
				
		<link>https://ericcapper.com/Live-Roman-Susan-Gallery-for-MEMBRANE-VARIATIONS</link>

		<pubDate>Fri, 17 Nov 2023 01:43:25 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/Live-Roman-Susan-Gallery-for-MEMBRANE-VARIATIONS</guid>

		<description>
	Live @ Roman 
Susan Gallery for 
MEMRANE VARIATIONS
Documentation of live collaborative performance from Eric Capper, Anna Johnson, and Zachary Nicol for Anna’s show, MEMBRANE VARIATIONS, at Roman Susan Gallery in Chicago, late August 2023.The recording features Eric Capper’s solo piece, a collaboration between Anna &#38;amp; Eric, and Anna’s closing solo performance.
	e_cap · Membrane Variations II @ Roman Susan Gallery 8.22.23



	&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/ea1689f622cf98869d8df526fb5b480a131454ab112a44230264bf79a66ae381/RomanSusan8.20.23-12.jpg" data-mid="197118247" border="0"  src="https://freight.cargo.site/w/1000/i/ea1689f622cf98869d8df526fb5b480a131454ab112a44230264bf79a66ae381/RomanSusan8.20.23-12.jpg" /&#62;
&#60;img width="1365" height="2048" width_o="1365" height_o="2048" data-src="https://freight.cargo.site/t/original/i/8ecee98cc2a12b9842cb1f238449627d3f046f5906525e6f9f82d967009b754e/RomanSusan8.20.23-9.jpg" data-mid="197118246" border="0"  src="https://freight.cargo.site/w/1000/i/8ecee98cc2a12b9842cb1f238449627d3f046f5906525e6f9f82d967009b754e/RomanSusan8.20.23-9.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/e6e56ef5860bff77d5d0ffc2f71cd2092c50bb0eca859a258e864a3323ebf4a7/RomanSusan8.20.23-93.jpg" data-mid="197118250" border="0"  src="https://freight.cargo.site/w/1000/i/e6e56ef5860bff77d5d0ffc2f71cd2092c50bb0eca859a258e864a3323ebf4a7/RomanSusan8.20.23-93.jpg" /&#62;&#60;img width="2048" height="1365" width_o="2048" height_o="1365" data-src="https://freight.cargo.site/t/original/i/18d160bdde675b33be52a06ca4b85a5798a664609c2cf991c3426a662a570dd3/RomanSusan8.20.23-152.jpg" data-mid="197118325" border="0"  src="https://freight.cargo.site/w/1000/i/18d160bdde675b33be52a06ca4b85a5798a664609c2cf991c3426a662a570dd3/RomanSusan8.20.23-152.jpg" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Live @ Ohklahomo for BIRD ARCHITECTURE</title>
				
		<link>https://ericcapper.com/Live-Ohklahomo-for-BIRD-ARCHITECTURE</link>

		<pubDate>Thu, 20 Apr 2023 15:32:52 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/Live-Ohklahomo-for-BIRD-ARCHITECTURE</guid>

		<description>
	Live @ Ohklahomo
Documentation of Graciela Gonzalez and Eric Capper's performance for Bird architecture, an opening reception for Eugene Tang's My Body is a Temple,&#38;nbsp;curated by Zhuyan Ye at Ohklahomo in Chicago, April 9, 2023. Documentation by Yezhou Zheng.The performance took inspiration from a poem by Peruvian artist, Jorge Eielson, called “poesia en forma de pajaro”, which translates to “poetry in the form of a bird”. The performance was an exercise in using the body and repetition to shape the environment around you.

	


	
&#60;img width="2362" height="1568" width_o="2362" height_o="1568" data-src="https://freight.cargo.site/t/original/i/6309059b89aa74c8c4b72d908d44532b5b285bb380f8a1ccaaddb11b95dfb022/Screenshot-2023-07-10-at-2.59.23-PM.png" data-mid="184682296" border="0"  src="https://freight.cargo.site/w/1000/i/6309059b89aa74c8c4b72d908d44532b5b285bb380f8a1ccaaddb11b95dfb022/Screenshot-2023-07-10-at-2.59.23-PM.png" /&#62;
&#60;img width="1306" height="1102" width_o="1306" height_o="1102" data-src="https://freight.cargo.site/t/original/i/3b5ec8991afd9d1d86c49ba9a8e74a5cf2705b26a067ac473f19bd2bd6e34eff/Screen-Shot-2023-04-08-at-10.09.00-PM.png" data-mid="184701255" border="0"  src="https://freight.cargo.site/w/1000/i/3b5ec8991afd9d1d86c49ba9a8e74a5cf2705b26a067ac473f19bd2bd6e34eff/Screen-Shot-2023-04-08-at-10.09.00-PM.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>Live @ Do Right Hall for NOT FLOWERS (Marfa, TX)</title>
				
		<link>https://ericcapper.com/Live-Do-Right-Hall-for-NOT-FLOWERS-Marfa-TX</link>

		<pubDate>Fri, 17 Nov 2023 01:43:13 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/Live-Do-Right-Hall-for-NOT-FLOWERS-Marfa-TX</guid>

		<description>
	Live @ Do Right Hall for&#38;nbsp; NOT FLOWERS (Marfa, TX)
Documentation of my experimental music performance as part of the opening reception in support of Morgan Eldridge's solo exhibit, NOT FLOWERS, at Do Right Hall in Marfa, Texas on March 3 &#38;amp; 4, 2023.The piece was in response to Mo’s sculptural work and a lyrical essay they wrote and performed for the opening, recordings from which were broadcast on Marfa Public Radio on March 8, 2023.
	
e_cap · Live set for Marfa Public Radio @ Do Right Hall, Marfa, TX - 3.4.23 AM Set

	&#60;img width="1116" height="1398" width_o="1116" height_o="1398" data-src="https://freight.cargo.site/t/original/i/c6d48df4f279f1175ecbf0221b545a62e3adc49b2cb2e88f55092e26a1596c06/Screenshot-2023-11-16-at-9.11.31-PM.png" data-mid="197115813" border="0"  src="https://freight.cargo.site/w/1000/i/c6d48df4f279f1175ecbf0221b545a62e3adc49b2cb2e88f55092e26a1596c06/Screenshot-2023-11-16-at-9.11.31-PM.png" /&#62;
&#60;img width="1126" height="1360" width_o="1126" height_o="1360" data-src="https://freight.cargo.site/t/original/i/f8bfe8fd84740c3e435994cdb05fc4db08e91e0a6c67bf87090b18d6c3544785/Screenshot-2023-11-16-at-9.11.44-PM.png" data-mid="197115818" border="0"  src="https://freight.cargo.site/w/1000/i/f8bfe8fd84740c3e435994cdb05fc4db08e91e0a6c67bf87090b18d6c3544785/Screenshot-2023-11-16-at-9.11.44-PM.png" /&#62;&#60;img width="1118" height="1356" width_o="1118" height_o="1356" data-src="https://freight.cargo.site/t/original/i/bc290c93036b8d046c8aaddea341b131dcaae964c8785fe1e501c4984b71079c/Screenshot-2023-11-16-at-9.12.04-PM.png" data-mid="197115821" border="0"  src="https://freight.cargo.site/w/1000/i/bc290c93036b8d046c8aaddea341b131dcaae964c8785fe1e501c4984b71079c/Screenshot-2023-11-16-at-9.12.04-PM.png" /&#62;&#60;img width="1050" height="1368" width_o="1050" height_o="1368" data-src="https://freight.cargo.site/t/original/i/b4acbcbeba04691a8e1f68588329d9c2c99f6e46de0a11198d61b444127bc00c/Screenshot-2023-11-16-at-9.15.44-PM.png" data-mid="197115823" border="0"  src="https://freight.cargo.site/w/1000/i/b4acbcbeba04691a8e1f68588329d9c2c99f6e46de0a11198d61b444127bc00c/Screenshot-2023-11-16-at-9.15.44-PM.png" /&#62;



</description>
		
	</item>
		
		
	<item>
		<title>Live @ Comfort Station </title>
				
		<link>https://ericcapper.com/Live-Comfort-Station</link>

		<pubDate>Wed, 08 Jun 2022 20:29:59 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/Live-Comfort-Station</guid>

		<description>
	Live @ Comfort Station
This is documentation of a live set I performed at Comfort Station in Logan Square, Chicago on June 2, 2022 for their Comfort Music Series, opening for artist and composer,&#38;nbsp;Hali Palombo, who also works with radio.The set features several compositions I built around samples of short wave radio I recorded from a receiver located at University of Twente in&#38;nbsp;Enschede, Netherlands.

	


	e_cap · Eric Capper Live @ Comfort Station


</description>
		
	</item>
		
		
	<item>
		<title>Fantasy / Reality / Decay</title>
				
		<link>https://ericcapper.com/Fantasy-Reality-Decay</link>

		<pubDate>Sat, 22 Jan 2022 23:43:12 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/Fantasy-Reality-Decay</guid>

		<description>
	Fantasy / Reality / Decay
Seemingly at the drop of a hat, the corporate office became largely obsolete. With the onset of the pandemic, workers emptied out of downtown business districts and suburban office parks, retreating to work from their kitchen tables or spare bedrooms. Nearly two years later, the office real estate market remains in crisis; as remote work becomes a long term feature of American white collar society, office buildings continue to sit unused. “When faced with a totally new situation,” media theorist Marshall McLuhan writes, “we tend to always attach ourselves to the objects, to the flavor of the most recent past. We look at the present through a rear-view mirror. We march backwards into the future.” Positioning ourselves at an inflection point, Fantasy / Reality / Decay explores the corporate office as an impossible space—a setting historically imbued with manifold associations, promises, desires, and frustrations, yet also one whose future no longer holds. How can we, in looking back at the American office, devise alternative ways to interact in this liminal environment? 
Fantasy / Reality / Decay seeks to distort cultural associations of the office, especially the individualistic, capitalist aspirations of the space and the more mundane—even depressing—qualities of working life. The gallery installation does not accurately recreate a corporate office setting so much as construct immersive situations inspired by its quintessential features, in order to imagine speculative, dreamlike futures for objects left behind when employees evacuated, and propose new models for engaging with them and each other in these failed spaces. The objects assembled within the gallery draw out the dissociations created by such liminal spaces, considering how hopeful fantasies tie into functionality and how unrealized promises lead to decay.The exhibition is a collective endeavor by Sydney Gush, Morgan Eldridge, Eric Capper, Sarah Brophy, and Sophie Buchmueller. Born from an intentionally collaborative process, Fantasy / Reality / Decay seeks to transform the gallery into a communal and relational environment in which objects, made both by specific artists and collectively, communicate with each other. Not only does this integrated mode of display reflect the show’s curatorial process, but it also conceptually underscores a rejection of the hierarchical, individualistic, alienated nature of capitalist work culture.



	&#60;img width="2560" height="1707" width_o="2560" height_o="1707" data-src="https://freight.cargo.site/t/original/i/9ba4f40087994e1106a8dbb4bfb96fbf4637fa297b9d0ad9073741d07da2cf4e/Sy-10-scaled.jpeg" data-mid="144953336" border="0"  src="https://freight.cargo.site/w/1000/i/9ba4f40087994e1106a8dbb4bfb96fbf4637fa297b9d0ad9073741d07da2cf4e/Sy-10-scaled.jpeg" /&#62;
	&#60;img width="2560" height="1702" width_o="2560" height_o="1702" data-src="https://freight.cargo.site/t/original/i/7248463301446cd7159fb67b7ac0ad620c04a75ef8289a12bd5bc394469f58ef/Sy-3-scaled.jpeg" data-mid="144953335" border="0"  src="https://freight.cargo.site/w/1000/i/7248463301446cd7159fb67b7ac0ad620c04a75ef8289a12bd5bc394469f58ef/Sy-3-scaled.jpeg" /&#62;


	Reticle
Kinetic sound sculpture fabricated with 18-gauge cold rolled steel, transducer, Kinter amp, Crosley record player. Reticle was designed as a physical sonic representation of what ails the capitalist system - that which it produces prevents it from progressing, just as the resonant sculpture, through which the record’s sound eminates, prevents the needle from ever fully playing through the record.

&#60;img width="2560" height="3840" width_o="2560" height_o="3840" data-src="https://freight.cargo.site/t/original/i/1aa0bbaf93dffaa2c27f210221037d436dcf636f91111ee55619d0a29def07cb/277A6194.JPG" data-mid="144953113" border="0"  src="https://freight.cargo.site/w/1000/i/1aa0bbaf93dffaa2c27f210221037d436dcf636f91111ee55619d0a29def07cb/277A6194.JPG" /&#62;&#60;img width="2182" height="1446" width_o="2182" height_o="1446" data-src="https://freight.cargo.site/t/original/i/310107835270586cd1efd50341bf669cc9b2c01f2cf1faa40453bea7062d0e14/Screen-Shot-2022-03-06-at-9.18.34-PM.png" data-mid="144953338" border="0"  src="https://freight.cargo.site/w/1000/i/310107835270586cd1efd50341bf669cc9b2c01f2cf1faa40453bea7062d0e14/Screen-Shot-2022-03-06-at-9.18.34-PM.png" /&#62;
	&#60;img width="1654" height="2560" width_o="1654" height_o="2560" data-src="https://freight.cargo.site/t/original/i/66c8acb63cda53f0d5ab40064ba54decca3a5fc80f86aa2fea1747c0f9c15714/Reticle_5.jpeg" data-mid="144934456" border="0"  src="https://freight.cargo.site/w/1000/i/66c8acb63cda53f0d5ab40064ba54decca3a5fc80f86aa2fea1747c0f9c15714/Reticle_5.jpeg" /&#62;



	In addition to my sound sculpture, we hacked three office phones to play a droning dial tone. Most of the installations in Fantasy / Reality / Decay had auditory components so it was a very sonic show. Here is a field recording taken from within the gallery space while the show was up in March 2022.
e_cap · Fantasy / Reality / Decay - Gallery Recording 3/22 (FINAL)


</description>
		
	</item>
		
		
	<item>
		<title>A Moment</title>
				
		<link>https://ericcapper.com/A-Moment</link>

		<pubDate>Wed, 08 Jun 2022 18:07:46 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/A-Moment</guid>

		<description>
	

A MomentA Moment is a three-channel sound installation exploring three different definitions of a moment. The compositions were made using several sonic materials, incuding: BBC recordings of cars, recordings of the car radio taken as I drove around, short wave radio recordings, and closed-loop electroacoustic tracks - some sampled and some my own. 
The original impetus for this piece came from a show called Garage Sale at the Oliva Gallery in west Chicago. Artists were invited to respond to objects from the gallery; I chose to work with a discarded old car tire in the gallery’s basement. My goal with this sound installation was to provide a dynamic nostalgia using representations of car culture, in this case sound and a static used tire, combined with my own memory of growing up driving around Queens, NY. This, I felt, gave it a sense of motion despite being immobile, which felt apt to submit it a show for kinetic sound art at the Bridgeport Art Center in south Chicago. 
Steel, aluminum alloy, rubber, carbon black, wire, fabric, amps, speakers 
25” x 25” x 12” 
3-channel sound installation exploring three different definitions of a moment: 
In physics, the moment of a force is a measure of its tendency to cause a body to rotate about a specific point or axis. Moment = force x distance 
In time, a moment is a medieval unit corresponding to approximately 90 seconds. 
And in a society, a moment is a brief event that occurs during
an interaction between two or more beings.
**below is a recording of all three channels of the sound installation running in a loop as they were when the installation was live. It is an electroacoustic, radiophonic temporal layering.




	

&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/e5536eedfd59b55b0f2af35f3a24ff205747622e5cc96d96e2014430f6e31b5a/7A8A9537.JPG" data-mid="147071980" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/e5536eedfd59b55b0f2af35f3a24ff205747622e5cc96d96e2014430f6e31b5a/7A8A9537.JPG" /&#62;
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/c383f2b7b12340e5dc511d06a3059d05ecdbecf4d17da57e6de9be07fb87f58a/7A8A9550.JPG" data-mid="144918693" border="0" data-scale="92" src="https://freight.cargo.site/w/1000/i/c383f2b7b12340e5dc511d06a3059d05ecdbecf4d17da57e6de9be07fb87f58a/7A8A9550.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>sonando el yunque / Live @ Mana Contemporary Chicago</title>
				
		<link>https://ericcapper.com/sonando-el-yunque-Live-Mana-Contemporary-Chicago</link>

		<pubDate>Wed, 11 Aug 2021 19:50:40 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/sonando-el-yunque-Live-Mana-Contemporary-Chicago</guid>

		<description>
	

sonando el yunque is an experimental electronic music piece I performed as part of the Proximity Pop Up Performance Festival at High Concept Labs (https://highconceptlabs.org/) based out of Mana Contemporary Chicago on Friday August 6, 2021. The piece was composed using field recordings I took in Puerto Rico in July 2021 while traveling all over the island in search of my biological father, his family, and also the spirit of the recently downed Arecibo radio telescope. Using Ableton, Monome norns and several midi controllers, my intent was to highlight natural rhythms of Puerto Rico and create adjacencies to some of the problems presently ailing Puerto Rico as a result of being an unincorporated US territory: fossil fuel dependency, illegal debt, the Jones Act, etc.&#38;nbsp;
This is a developing work. Video recording by Julia Kolesnyk.
	





</description>
		
	</item>
		
		
	<item>
		<title>sonified astronomical interferometry</title>
				
		<link>https://ericcapper.com/sonified-astronomical-interferometry</link>

		<pubDate>Thu, 03 Jun 2021 01:19:58 +0000</pubDate>

		<dc:creator>Eric Capper</dc:creator>

		<guid isPermaLink="true">https://ericcapper.com/sonified-astronomical-interferometry</guid>

		<description>
	
sonified astronomical interferometry
Modern radio astronomy allows us to see farther into the cosmos than ever before. The second image below is the GaLactic and Extragalactic All-sky Murchison Widefield Array survey (GLEAM) of the Milky Way galaxy taken by Dr. Natasha Hurley-Walker and her team at the Murchison Widefield Array in Western Australia. By tapping into radio waves they are able to identify distant star forming regions, supernova remnants, and radio galaxies beyond our own in the electromagnetic spectrum—matter, events, and other cosmic readings that the comparatively narrow band of visible light cannot see.

This recorded radio data, called visiblities, is turned into an image via a Fourier transform. But, what does it sound like? What are its temporal qualities? This installation seeks to give that radio data such materiality.Arranged sound recording of this piece:&#38;nbsp;
https://soundcloud.com/e_cap/sonified-astronomical-interferometry

 

	
&#60;img width="5760" height="3840" width_o="5760" height_o="3840" data-src="https://freight.cargo.site/t/original/i/a757e745e18b87b65a54bf5d5c7cf5a576e8d761b9cf27bd83924c3b5a96a571/7A8A4303.JPG" data-mid="145026233" border="0"  src="https://freight.cargo.site/w/1000/i/a757e745e18b87b65a54bf5d5c7cf5a576e8d761b9cf27bd83924c3b5a96a571/7A8A4303.JPG" /&#62;

&#60;img width="2360" height="1572" width_o="2360" height_o="1572" data-src="https://freight.cargo.site/t/original/i/ccd77e3645a6d88ba3e7f94fa0b070deb1f1b0be13e0230cab27b548d89858da/Capper_thesis1.png" data-mid="110232303" border="0"  src="https://freight.cargo.site/w/1000/i/ccd77e3645a6d88ba3e7f94fa0b070deb1f1b0be13e0230cab27b548d89858da/Capper_thesis1.png" /&#62;
&#60;img width="1916" height="991" width_o="1916" height_o="991" data-src="https://freight.cargo.site/t/original/i/f57a2d44ae77fb028367391e6134589b070f60f10cfb49965cf4e6c4c4af9ddd/Screen-Shot-2021-04-09-at-6.48.39-PM.png" data-mid="110232664" border="0"  src="https://freight.cargo.site/w/1000/i/f57a2d44ae77fb028367391e6134589b070f60f10cfb49965cf4e6c4c4af9ddd/Screen-Shot-2021-04-09-at-6.48.39-PM.png" /&#62;
&#60;img width="1656" height="960" width_o="1656" height_o="960" data-src="https://freight.cargo.site/t/original/i/a6bab6e6ac23a597c84013d2a4987822c95e51581a38b93d090dd35ba68e2800/Capper_thesis3.png" data-mid="110232834" border="0"  src="https://freight.cargo.site/w/1000/i/a6bab6e6ac23a597c84013d2a4987822c95e51581a38b93d090dd35ba68e2800/Capper_thesis3.png" /&#62;</description>
		
	</item>
		
	</channel>
</rss>